• Aristotle , 1811, Venice, Galleria dell 'Academia
• Bad der Nymphen , 1831, Lugano, Privatsammlung Bath of the Nymphs , 1831, Lugano, private collection
• Bad der Nymphen, Detail , 1831, Lugano, Privatsammlung Bath of the Nymphs, detail , 1831, Lugano, private collection
• Badende , 1832, Pavia, Privatsammlung Bathers , 1832, Pavia, private collection
• Bathseba im Bade , 1834, Lugano, Privatsammlung Bathsheba Bathing , 1834, Lugano, private collection
• Büßende Maria Magdalena , 1825, Mailand, Galleria d'Arte Moderna Penitent Mary Magdalene , 1825, Milan, Galleria d'Arte Moderna
• Das Fenster des Harems , 1881, Mailand, Pinacoteca di Brera The windows of the harem , 1881, Milan, Pinacoteca di Brera
• Der Kuss , 1859, Mailand, Pinacoteca di Brera The Kiss , 1859, Milan, Pinacoteca di Brera
• Der siebente Kreuzzug gegen Jerusalem , 1838–1850, Turin, Palazzo Reale The seventh crusade against Jerusalem , 1838-1850, Turin, Palazzo Reale
• Der Tod des Dogen Marin Faliero , 1867, Mailand, Pinacoteca di Brera The death of the Doge Marin Faliero , 1867, Milan, Pinacoteca di Brera
• Die Befreiung Vittor Pisani's aus dem Kerker , 1840, Tremezzo, Villa Carlotta The exemption Vittor Pisani's out of prison , 1840, Tremezzo, Villa Carlotta
• Die beiden Foscari , 1844, Florenz, Galleria d'Arte Moderna The two Foscari , 1844, Florence, Galleria d'Arte Moderna
• Die Flüchtlinge von Parga , 1831, Brescia, Pinacoteca Tosio Martinengo The Refugees of Parga , 1831, Brescia, Pinacoteca Tosio Martinengo
• Die Flüchtlinge von Parga, Detail , 1831, Brescia, Pinacoteca Tosio Martinengo The Refugees of Parga, detail , 1831, Brescia, Pinacoteca Tosio Martinengo
• Die Kranke (Porträt der Carolina Zucchi) , 1825, Turin, Museo Civico The patient (Portrait of Carolina Zucchi) , 1825, Turin, Museo Civico
• Die neue Favoritin (Haremsszene) , 1866, Mailand, Privatsammlung The new favorite (harem scene) , 1866, Milan, private collection
• Die Zerstörung des Tempels von Jerusalem , 1867, Venedig, Galleria d'Arte Moderna The destruction of the Temple of Jerusalem , 1867, Venice, Galleria d'Arte Moderna
• Die Zerstörung des Tempels von Jerusalem, Detail [1] , 1867, Venedig, Galleria d'Arte Moderna The destruction of the Temple of Jerusalem, detail [1] , 1867, Venice, Galleria d'Arte Moderna
• Die Zerstörung des Tempels von Jerusalem, Detail [2] , 1867, Venedig, Galleria d'Arte Moderna The destruction of the Temple of Jerusalem, detail [2] , 1867, Venice, Galleria d'Arte Moderna
• Ephraim , 1842–1844, Terni, Privatsammlung Ephraim , 1842-1844, Terni, private collection
• Familienporträt , 1807, Treviso, Museo Luigi Bailo Family Portrait , 1807, Treviso, Museo Luigi Bailo
• Gemäldeserie »Sizilianische Abende«, Szene 1 , 1821–1822, Mailand, Privatsammlung Painting series "Sicilian evenings," Scene 1 , 1821-1822, Milan, private collection
• Gemäldeserie »Sizilianische Abende«, Szene 3 , 1846, Rom, Galleria Nazionale d'Arte Moderna Painting series "Sicilian evenings," Scene 3 , 1846, Rome, Galleria Nazionale d'Arte Moderna
• Liegende Odaliske , 1839, Mailand, Privatsammlung Reclining Odalisque , 1839, Milan, private collection
• Melancholischer Gedanke , 1842, Mailand, Privatsammlung Melancholy thought , 1842, Milan, private collection
• Odaliske , 1867, Mailand, Pinacoteca di Brera Odalisque , 1867, Milan, Pinacoteca di Brera
• Odaliske mit Buch , 1866, Tremezzo, Villa Carlotta Odalisque with book , 1866, Tremezzo, Villa Carlotta
• Odysseus am Hofe des Alkinoos , 1813–1815, Neapel, Galleria Nazionale di Capodimonte Ulysses at the court of Alcinous , 1813-1815, Naples, Galleria Nazionale di Capodimonte
• Porträt der Antonietta Negroni Prati Morosini als Kind , 1858, Mailand, Galleria d'Arte Moderna Antonietta Negroni Prati Morosini portrait of a child , 1858, Milan, Galleria d'Arte Moderna
• Porträt der Antonietta Negroni Prati Morosini, Oval , 1872, Mailand, Galleria d'Arte Moderna Antonietta Negroni Prati Morosini the portrait, oval , 1872, Milan, Galleria d'Arte Moderna
• Porträt der Antonietta Tarsis Basilico , 1851, Rom, Privatsammlung Antonietta Tarsis Basilico the portrait , 1851, Rome, Private Collection
• Porträt der Antonietta Vitali Sola , 1823, Mailand, Privatsammlung Portrait of Antonietta Vitali Sola , 1823, Milan, private collection
• Porträt der Ballerina Carlotta Chabert als Venus (Venus mit zwei Tauben) , 1830, Trento, Museo Nazionale Portrait of the Ballerina Carlotta Chabert as Venus (Venus with two pigeons) , 1830, Trento, Museo Nazionale
• Porträt der Cristina di Belgiojoso Trivulzio , 1832, Florenz, Privatsammlung Portrait of Cristina of Belgiojoso Trivulzio , 1832, Florence, Private Collection
• Porträt der Familie Stampa di Sonico , 1821–1822, Mailand, Pinacoteca di Brera Family portrait Stampa Tues Sonico , 1821-1822, Milan, Pinacoteca di Brera
• Porträt der Felicina Caglio Perego di Cremnago , 1842, Mailand, Privatsammlung Portrait of Felicina Caglio Perego Tues Cremnago , 1842, Milan, private collection
• Porträt der Matilde Juva-Branca , 1851, Mailand, Galleria d'Arte Moderna Portrait of Matilde Juva-Branca , 1851, Milan, Galleria d'Arte Moderna
• Porträt der Prinzessin di Sant' Antimo , 1840–1844, Neapel, Museo di San Martino Portrait of the princess di Sant 'Antimo , 1840-1844, Naples, Museo di San Martino
• Porträt der Teresa Borri Stampa Manzoni , 1847–1848, Brescia, Pinacoteca Tosio Martinengo Portrait of Teresa Borri Stampa Manzoni , 1847-1848, Brescia, Pinacoteca Tosio Martinengo
• Porträt des Alessandro Manzoni , 1841, Mailand, Pinacoteca di Brera Portrait of Alessandro Manzoni , 1841, Milan, Pinacoteca di Brera
• Porträt des Camillo Benso di Cavour , 1864, Mailand, Pinacoteca di Brera Portrait of Camillo Benso di Cavour , 1864, Milan, Pinacoteca di Brera
• Porträt des Conte Baglioni , um 1860, Treviso, Privatsammlung Portrait of Count Baglioni , 1860, Treviso, private collection
• Porträt des Conte Ninni , 1825, Treviso, Privatsammlung Portrait of Count Ninni , 1825, Treviso, private collection
• Porträt des Don Giulio Vigoni als Kind , 1830, Mailand, Privatsammlung Portrait of Don Giulio Vigoni as a child , 1830, Milan, private collection
• Porträt des Giocchino Rossini , 1870, Mailand, Pinacoteca di Brera Portrait of Giocchino Rossini , 1870, Milan, Pinacoteca di Brera
• Porträt des Giuseppe Roberti , 1819, Bassano, Museo Civico Portrait of Giuseppe Roberti , 1819, Bassano, Museo Civico
• Porträt des Kaisers Ferdinand II. von Österreich , 1840, Mailand, Museo del Risorgimento Portrait of Emperor Ferdinand II of Austria , 1840, Milan, Museo del Risorgimento
• Porträt des Massimo d' Azeglio , 1860, Mailand, Pinacoteca di Brera Portrait of the Massimo d'Azeglio , 1860, Milan, Pinacoteca di Brera
• Porträt des Pompeo Marchesi , 1830, Mailand, Galleria d'Arte Moderna Portrait of Pompeo Marchesi , 1830, Milan, Galleria d'Arte Moderna
• Porträt einer Venezianerin , um 1852, Mailand, Privatsammlung Portrait of a Venetian , in 1852, Milan, private collection
• Rinaldo und Armida , 1814, Venedig, Galleria dell' Academia Rinaldo and Armida , 1814, Venice, Galleria dell 'Academia
• Rinaldo und Armida, Detail , 1814, Venedig, Galleria dell' Academia Rinaldo and Armida, detail , 1814, Venice, Galleria dell 'Academia
• Romeo und Julia , 1823, Tremezzo, Villa Carlotta Romeo and Juliet , 1823, Tremezzo, Villa Carlotta
• Rückenansicht einer Badenden , 1859, Mailand, Pinacoteca di Brera Back view of a bather , 1859, Milan, Pinacoteca di Brera
• Ruth , 1835, Bologna, Städtische Sammlung Ruth , 1835, Bologna, Town Collection
• Samson und der Löwe , 1842, Florenz, Galleria d'Arte Moderna Samson and the Lion , 1842, Florence, Galleria d'Arte Moderna
• Selbstporträt mit 69 Jahren , 1860, Florenz, Galleria degli Uffizi Self-Portrait at 69 years , 1860, Florence, Galleria degli Uffizi
• Selbstporträt mit 88 Jahren , 1879, Venedig, Galleria d'Arte Moderna Self-Portrait at 88 years , 1879, Venice, Galleria d'Arte Moderna
• Venezianerinnen , 1853, Tremezzo, Villa Carlotta Venetian women , 1853, Tremezzo, Villa Carlotta
• Weiblicher Akt , um 1859, Mailand, Pinacoteca di Brera Female Nude , by 1859, Milan, Pinacoteca di Brera
• Zusammentreffen von Jakob und Esau , 1844, Brescia, Pinacoteca Tosio Martinengo Meeting of Jacob and Esau , 1844, Brescia, Pinacoteca Tosio Martinengo
• Zusammentreffen von Jakob und Esau, Detail [1] , 1844, Brescia, Pinacoteca Tosio Martinengo Meeting of Jacob and Esau, detail [1] , 1844, Brescia, Pinacoteca Tosio Martinengo
• Zusammentreffen von Jakob und Esau, Detail [2] , 1844, Brescia, Pinacoteca Tosio Martinengo Meeting of Jacob and Esau, detail [2] , 1844, Brescia, Pinacoteca Tosio Martinengo

Francesco Hayez Wiki Biography

Francesco Hayez

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Francesco Hayez (self-portrait)

The Kiss (1859)
Pinacoteca di Brera, Milan.

Francesco Hayez (February 10, 1791 – December 21, 1882) was an Italian painter, the leading artist of Romanticism in mid-19th-century Milan, renowned for his grand historical paintings, political allegories and exceptionally fine portraits.

Contents [hide] 1 Biography 2 Selected works 3 Gallery 4 External links

[edit] Biography

Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother's sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the "Salotto Maffei" salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there.

Typically for his age, his paintings contain implicit stories and frequently draw on biblical or literary narratives. Also of his time is the tendency to exploit sensuality with only the faintest overlay of a literary or artistic veil. His Mary Magdalene (illustrated below) is supposedly 'penitent', but her representation seems painted deliberately to bring out her erotic past far more than her penitence. His Susannah does not even bother with any 'elders', such is the emphasis on female nudity. In this, of course, he is not alone: a range of Renaissance and Baroque artists had done much the same. Hayez is the far end of the wealth and power of this tradition.

Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.

[edit] Selected works

Notable works include:

• Petro Rosso Imprisoned by the Scaligeri (c. 1820)
• A series on the Sicilian Vespers (1821-1846)
• Destruction of the Temple of Jerusalem (c. 1867)
• Portrait of Marin Faliero (1867)
• Vase of flowers on the window of a harem (c. 1881)
• The Kiss (1859) - Pinacoteca di Brera, Milan

[edit] Gallery

Family Portrait (1807) Museo Luigi Bailo, Treviso	Aristotle (1811) Galleria dell'Accademia, Venice	Ulysses at the court of Alcinous (1813-1815) Galleria Nazionale di Capodimonte, Naples	Rinaldo and Armida (1814) Galleria dell'Accademia, Venice
Portrait of Giuseppe Roberti (1819) Museo Civico, Bassano	Sicilian Vespers, Scene 1 (1821-1822) Private collection, Milan	Portrait of the family Stampa di Soncino (1821-1822) Pinacoteca di Brera, Milan	Portrait of Antonietta Vitali Sola (1823) Private collection, Milan
Romeo and Juliet (1823) Villa Carlotta, Tremezzo	The Penitent Mary Magdalene (1825) Civica Galleria d'Arte Moderna, Milan	The Patient (portrait of Carolina Zucchi) (1825) Museo Civico, Turin	Portrait of Count Ninni (1825) Private collection, Treviso
The Ballerina Carlotta Chabert as Venus (1830) Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Trento	Portrait of Don Giulio Vigoni as a Child (1830) Private collection, Milan	Portrait of Pompeo Marchesi (1830) Civica Galleria d'Arte Moderna, Milan	Bath of the Nymphs (1831) Private collection, Lugano
The Refugees from Parga (1831) Pinacoteca Tosio Martinengo, Brescia	Bather (1832) Private collection, Pavia	Portrait of Cristina di Belgiojoso-Trivulzio (1832) Private collection, Florence	Bathsheba Bathing (1834) Private collection, Lugano
Ruth (1835) Collezioni Comunali d'Arte, Bologna	The Seventh Crusade against Jerusalem (1838-1850) Palazzo Reale, Turin	Odalisque Reclining (1839) Private collection, Milan	Release of Vittor Pisani from the dungeon (1840) Villa Carlotta, Tremezzo
Portrait of the princess of Sant' Antimo (1840-1844) Museo di San Martino, Naples	Portrait of the Emperor Ferdinand I of Austria (1840) Museo del Risorgimento, Milan	Portrait of Alessandro Manzoni (1841) Pinacoteca di Brera, Milan	The Parting of the Two Foscari (1842) Galleria d'Arte Moderna, Florence
Melancholy Thought (1842) Private collection, Milan	Portrait of Felicina Caglio Perego di Cremnago (1842) Private collection, Milan	Samson and the Lion (1842) Galleria d'Arte Moderna, Florence	Meeting of Jacob and Esau (1844) Pinacoteca Tosio Martinengo, Brescia
Sicilian Vespers, Scene 3 (1846) Galleria Nazionale d'Arte Moderna, Rome	Portrait of Teresa Borri Stampa Manzoni (1847-1848) Pinacoteca Tosio Martinengo, Brescia	Portrait of Antonietta Tarsis Basilico (1851) Private collection, Rome	Portrait of Matilde Juva-Branca (1851) Civica Galleria d'Arte Moderna, Milan
Portrait of a Veneitan Woman (c. 1852) Private collection, Milan	Venetian Women (1853) Villa Carlotta, Tremezzo	Portrait of Countess Antonietta Negroni Prati Morosini as a child (1858) Civica Galleria d'Arte Moderna, Milan (See also the portrait of her done in 1872)	Bather viewed from behind (1859) Pinacoteca di Brera, Milan
Female Nude (c. 1859) Pinacoteca di Brera, Milan	Portrait of Count Baglioni (c. 1860) Private collection, Treviso	Portrait of Massimo d' Azeglio (1860) Pinacoteca di Brera, Milan	Self-portrait at age 69 (1860) Galleria degli Uffizi, Florence
Portrait of Camillo Benso di Cavour (1864) Pinacoteca di Brera, Milan	The New Favorite (Harem Scene) (1866) Private collection, Milan	Odalisque with Book (1866) Villa Carlotta, Tremezzo	The Death of the Doge Marin Faliero (1867) Pinacoteca di Brera, Milan
Destruction of the Temple of Jerusalem (1867) Galleria d'Arte Moderna, Venice	Odalisque (1867) Pinacoteca di Brera, Milan	Portrait of Gioacchino Rossini (1870) Pinacoteca di Brera, Milan	Portrait of Antonietta Negroni Prati Morosini, Oval (1872) Civica Galleria d'Arte Moderna, Milan
Self-portrait at age 88 (1879) Galleria d'Arte Moderna, Venice	Vase of Flowers on the Window of a Harem (1881) Pinacoteca di Brera, Milan

[edit] External links

Wikimedia Commons has media related to: Francesco Hayez

Persondata
Name	Hayez, Francesco
Alternative names
Short description
Date of birth	February 10, 1791
Place of birth
Date of death	December 21, 1882
Place of death

Retrieved from "http://en.wikipedia.org/wiki/Francesco_Hayez"

Categories: 1791 births | 1882 deaths | People from Venice (city) | Italian painters | Venetian painters | Romantic painters | Portrait artists | Academic art